{"id":10638,"date":"2025-12-05T12:27:00","date_gmt":"2025-12-05T15:27:00","guid":{"rendered":"https:\/\/chileconecta.cl\/en\/?p=10638"},"modified":"2025-12-05T12:28:27","modified_gmt":"2025-12-05T15:28:27","slug":"16-projects-selected-from-chiledoc-companies","status":"publish","type":"post","link":"https:\/\/chileconecta.cl\/en\/noticias\/16-projects-selected-from-chiledoc-companies\/","title":{"rendered":"16 Projects Selected from Chiledoc Companies"},"content":{"rendered":"

Various projects from companies associated with the Chiledoc sector brand will participate in the 10th edition of the Conecta International Documentary Industry Meeting, where they will be able to participate in different spaces that promote exchange between filmmakers and industry representatives.<\/strong><\/p>\n

Asteroid 2518<\/a><\/strong>
\nCountry: Chile
\nDir: Amanda Rutllant da Cunha
\nProd: Sim\u00f3n Vargas and Ignacia Merino
\nChiledoc Company: Make More Meaning Media
\nStoryline: After discovering unpublished documents about her astrophysicist great-grandfather lost in a vault at a Chilean observatory, Amanda, a young filmmaker, decides to make a documentary about him\u2014but an autoimmune disease will threaten both her and her film project.<\/p>\n

Sketches of the End of the World<\/a><\/strong>
\nCountry: Chile
\nDir: David Guzm\u00e1n
\nProd: Pablo Arias Daud and Sim\u00f3n Vargas
\nChiledoc Company: Tres Tercios
\nStoryline: Sketches of the end of the world explores six Chilean ecosystems through naturalist illustrators and their creative processes. In each episode, a naturalist travels across the territory with scientists and local communities, creating an illustrated sketchbook that reveals the human impact on ecosystems and promotes their conservation.<\/p>\n

Chuchu<\/a><\/strong>
\nCountry: Chile
\nDir: Maria Jose Diaz
\nProd: Maria Jose Diaz
\nChiledoc Company: Galgo Storytelling
\nStoryline: Chuchu is an essayistic documentary that explores the silences and opaque zones of family memory. Through family archives and by using artificial intelligence as a tool to reconstruct lost fragments, the film investigates how secrets pass through generations and shape identities.<\/p>\n

Fighting a Pink Plague<\/a><\/strong>
\nCountry: Chile
\nDir: Pablo Rivas
\nProd: Sebasti\u00e1n Lavados
\nChiledoc Company: Trino Films
\nStoryline: The fight against HIV in Chile, an ultraconservative country in the post-dictatorship era. Pablo, an HIV-positive activist, and my mother Cecilia, a renowned immunologist, are the protagonists of a battle against indifference, precariousness, and stigma.<\/p>\n

Unveiling the Cosmos: the Rubin Observatory <\/a><\/strong>
\nCountry: Chile, Spain and Germany
\nDir: Gonzalo Argando\u00f1a
\nProd: Diego Rojas
\nChiledoc Company: C\u00e1bala Films
\nStoryline: In Chile\u2019s Atacama Desert, the Vera C. Rubin Observatory is set to revolutionize our view of the Universe. By mapping the southern sky every three nights, it will reveal hidden worlds, cosmic explosions, and traces of dark matter and dark energy, powered by human curiosity and AI.<\/p>\n

The criminal record of Madame Wittmann<\/a><\/strong>
\nCountry: Chile
\nDir: Nicol\u00e1sa Videla and Anastasia Benavente
\nProd: Kevin Magne Tapia
\nChiledoc Company: Cinespecie
\nStoryline: Transsexual vedette Evelyn Wittmann (74), exiled in France, returns to Chile and confronts her past: in 1968 she was kidnapped and forced to appear in a documentary about criminals, whose search actively involves transgenerational dialogues about memory, gender, and reparation.<\/p>\n

Gondola<\/a><\/strong>
\nCountry: Chile
\nDir: Pablo Cuturrufo
\nProd: Isidora Fajardo and Nicholas Hooper H.
\nChiledoc Company: CUBHO Audiovisual
\nStoryline: An anonymous user sinks into the worst corners of the internet until he finds Gondola, a simple, peaceful meme that becomes a refuge. Gondola shows how hope can appear in the most unexpected places. An essay built from real digital archives about tenderness, community, and the power of images.<\/p>\n

Sons: The Memory That Remains<\/a><\/strong>
\nCountry: Chile and France
\nDir: Francisco L\u00f3pez Ball\u00f3
\nProd: Francisco L\u00f3pez Ball\u00f3, Francia Aranda and Lise Bouzidi
\nChiledoc Company: Ballover Films
\nStoryline: Hijos is built around the passage of time, with images and sounds that embody a memory that ranges from the historical to the intimate, using cinema as a way of capturing time, and as a way of evoking childhood memories that show the desolation left by the military dictatorship in Chile society and its scars today.<\/p>\n

Hello Ulises, It’s Paulina<\/a><\/strong>
\nCountry: Chile
\nDir: Paulina Soto
\nProd: Nicole Bonilla and Liam Fang
\nChiledoc Company: La Madre
\nStoryline: Paulina embarks on a journey across the Great Island of Tierra del Fuego in search of Ulises, her missing friend. For over ten years, she records encounters, landscapes, and silences, discovering that her quest is not only for him but for herself \u2014 a way to exile from motherhood.<\/p>\n

The Capture: The Incredible Story of the Lawyer Who Made It Possible<\/a><\/strong>
\nCountry: Chile
\nDir: Rafael Valdeavellano
\nProd: Carola Fuentes
\nChiledoc Company: La Ventana Cine
\nStoryline: \u201cThe Capture: the Incredible Story of the Lawyer Who Made It Possible\u201d portrays Hern\u00e1n Fern\u00e1ndez, a man so extraordinary he seems unreal. He devoted his life to confronting Chile\u2019s darkest truths. From Tongoy, he keeps fighting the shadows others fear to face.<\/p>\n

Home<\/a><\/strong>
\nCountry: Chile
\nDir: Dafne Manr\u00edquez
\nProd: Ferr\u00e1n Vergara
\nChiledoc Company: Cagliostro Cinema
\nStoryline: Former residents of care homes build, from memory, an imagined house whose walls hold the voices and silences of a childhood far from their biological families. Each room awakens experiences and each object becomes a bridge to belonging, reshaping home and turning absence into a new place to inhabit.<\/p>\n

Wounded Faith<\/a><\/strong>
\nCountry: Chile
\nDir: Josefina Morand\u00e9 and Mar\u00eda Elena Wood
\nProd: Patricio Pereira
\nChiledoc Company: Mar\u00eda Wood Producciones
\nStoryline: In Chile, the Catholic Church went from being a refuge and moral voice to an institution marked by abuse, cover-ups, and social disconnection. Through La Legua, worker priests, lay people, and dissidents, we confront the collapse of the hierarchy with the portrait of a broken faith that, from the margins, seeks to be reborn.<\/p>\n

The Safest Place<\/a><\/strong>
\nCountry: Chile
\nDir: Milena Castro and Magdalena Hurtado
\nProd: Isabel Reyes and Ignacia Merino
\nChiledoc Company: Dos Be Producciones
\nStoryline: After years of silence, three adult women come together to reconstruct the memory of the sexual abuse they suffered in their childhood, perpetrated by relatives in their own homes.
\nThrough an intimate and poetic story, they will try to build the safe space that was taken from them so many years ago.<\/p>\n

Masters of Sound<\/a><\/strong>
\nCountry: Chile, Colombia, Argentina and Brazil
\nDir: Pablo Stephens
\nProd: Cristi\u00e1n Hidalgo
\nChiledoc Company: NeuroFilms
\nStoryline: This series creates a musical and anthropological dialogue between countries through the craft of lutherie. Despite the distance, shared passions\u2014devotion to their work, family tradition, and a deep connection to music as a universal art\u2014form a common emotional thread with the audience.<\/p>\n

Object<\/a><\/strong>
\nCountry: Chile and Germany
\nDir: Loreto Quijada
\nProd: Fernando Bascu\u00f1\u00e1n, Sebastian Z\u00fcger and Loreto Quijada
\nChiledoc Company: Faro Cine
\nStoryline: Loreto, a newcomer from Chile, finds family photos at a tram stop in Cologne. This random event connects her with other immigrants living in the NRW region and with a local ally. Numbed memories come afloat as she digs, talks, and feels old things.<\/p>\n

An Idea of Family<\/a><\/strong>
\nCountry: Chile and Brazil
\nDir: Carlos Villegas Leiva
\nProd: Dagoberto Flores Venegas \/ Catalina Espinoza Badillo \/ Julio Matos
\nChiledoc Company: DiezCincuenta
\nStoryline: What starts as a true-crime tale about three women \u2014one jailed under dictatorship, one who fled Brazil, and one who took her life\u2014 shifts when their nephew, now a father and the film\u2019s director, steps in and questions his own story. Through archives and travel, he attempts to reunite his family as his children point toward another future.<\/p>\n

About Conecta<\/strong>
\nConecta is an international documentary industry event aimed at Latin American producers and filmmakers with documentary projects in development, editing, post-production, or completed but not yet premiered.
\nThe meeting brings together national and international industry professionals, including representatives from funds, markets, and festivals; distributors, sales agents, exhibitors; as well as platform and television programmers, and producers.<\/p>\n

Press Contact<\/strong>
\nNatalia Raipan | periodista@ccdoc.cl<\/p>\n","protected":false},"excerpt":{"rendered":"

Various projects from companies associated with the Chiledoc sector brand will participate in the 10th edition of the Conecta International Documentary Industry Meeting, where they will be able to participate in different spaces that promote exchange between filmmakers and industry representatives. Asteroid 2518 Country: Chile Dir: Amanda Rutllant da Cunha Prod: Sim\u00f3n Vargas and Ignacia […]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10638","post","type-post","status-publish","format-standard","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/10638","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/comments?post=10638"}],"version-history":[{"count":3,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/10638\/revisions"}],"predecessor-version":[{"id":10642,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/10638\/revisions\/10642"}],"wp:attachment":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/media?parent=10638"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/categories?post=10638"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/tags?post=10638"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}