{"id":9307,"date":"2024-11-25T09:35:03","date_gmt":"2024-11-25T12:35:03","guid":{"rendered":"https:\/\/chileconecta.cl\/en\/?p=9307"},"modified":"2024-11-25T09:39:52","modified_gmt":"2024-11-25T12:39:52","slug":"check-out-the-projects-that-will-be-part-of-connect-with-distribution","status":"publish","type":"post","link":"https:\/\/chileconecta.cl\/en\/noticias\/check-out-the-projects-that-will-be-part-of-connect-with-distribution\/","title":{"rendered":"Check out the projects that will be part of Connect with Distribution"},"content":{"rendered":"<p><strong>Connect with Distribution<\/strong>\u00a0is aimed at feature-length documentary projects or non-fiction series in editing, post-production, or completed but not yet premiered. Out of a total of <strong>68 applications<\/strong> from <strong>12 countries<\/strong>, <strong>14 projects<\/strong> from <strong>7 Latin American countries<\/strong> were selected: Mexico, Ecuador, Chile, Colombia, Peru, Uruguay, the Dominican Republic, and Argentina. Participation can be virtual or in person, with one-on-one meetings with invited industry representatives, talks, panels, and networking activities.<\/p>\n<p>The <strong>9th Meeting of the International Documentary Film Industry<\/strong> brings together producers, sales agents, distributors, exhibitors, financiers, and leading figures from the world\u2019s most important markets and festivals. Together with the participating documentary filmmakers, <strong>28 countries are represented at Conecta 2024<\/strong>. Furthermore, during the call for various workshops and activities aimed at production development, <strong>332 submissions<\/strong> were received from <strong>18 countries.<\/strong><\/p>\n<p>\ud83c\udfac <strong><ins datetime=\"2024-11-25T12:08:18+00:00\">The selected projects are:<\/ins><\/strong><\/p>\n<p><strong>Boca Vieja<\/strong><br \/>\n<strong><em>Boca Vieja<\/em><\/strong><br \/>\nThe cycles of life and nature in a small town by the sea.<\/p>\n<p>Director: Yovegami Ascona Mora<br \/>\nProduction: M\u00f3nica Cruz Arcos and Yovegami Ascona Mora<br \/>\nFormat: Feature Film<br \/>\nCountry: Mexico<\/p>\n<p><strong>Carmela y los Caminantes<\/strong><br \/>\n<strong><em>Carmela and the Walkers<\/em><\/strong><br \/>\nCarmela welcomes thousands of people passing through South America during the Venezuelan exodus.<\/p>\n<p>Directors: Esteban Coloma and Luis Herrera<br \/>\nProduction: Esteban Coloma<br \/>\nFormat: Feature Film<br \/>\nCountry: Ecuador<\/p>\n<p><strong>Cobija<\/strong><br \/>\n<strong><em>Cobija<\/em><\/strong><br \/>\nA portal in time where the past, present, and future of a legendary town hidden in the Atacama Desert converge.<\/p>\n<p>Director: Pamela Peque\u00f1o<br \/>\nProduction: Adriana Denisse-Silva<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n<p><strong>El inventario<\/strong><br \/>\n<strong><em>The Inventory<\/em><\/strong><br \/>\nFour women search for their children who have disappeared, while a committee of linguists looks for a word missing from the dictionary.<\/p>\n<p>Director: Ilana Coleman<br \/>\nProduction: Natalia Nava, James Carlos Goncalves, and Ivonne Villal\u00f3n<br \/>\nFormat: Feature Film<br \/>\nCountry: Mexico<\/p>\n<p><strong>El Pantera<\/strong><br \/>\n<strong><em>El Pantera<\/em><\/strong><br \/>\nAt 65, a Colombian salsa musician must face the industry&#39;s conditions to return to the music scene.<\/p>\n<p>Director: Frank Benitez<br \/>\nProduction: Ang\u00e9lica Clavijo<br \/>\nFormat: Feature Film<br \/>\nCountry: Colombia<\/p>\n<p><strong>Ino Moxo El Sue\u00f1o del Brujo<\/strong><br \/>\n<strong><em>Ino Moxo the Healer&#8217;s Dream<\/em><\/strong><br \/>\nA journey of mysteries and knowledge in the depths of the Amazon rainforest in search of the great shaman Ino Moxo Pantera Negra.<\/p>\n<p>Director: Rodolfo Abdias Arrascue Navas<br \/>\nProduction: Javier Salvador and Mariale Mosquera<br \/>\nFormat: Feature Film<br \/>\nCountries: Peru and Colombia<\/p>\n<p><strong>Juntas Somos Fuertes<\/strong><br \/>\n<strong><em>Stronger Together<\/em><\/strong><br \/>\nA documentary portraying the rise of the Mexican feminist movement in recent years.<\/p>\n<p>Director: Tania Claudia Castillo<br \/>\nProduction: Tania Claudia Castillo, Miguel \u00c1ngel S\u00e1nchez, Carlos Hern\u00e1ndez V\u00e1zquez, and Gabriela Gavica<br \/>\nFormat: Feature Film<br \/>\nCountry: Mexico<\/p>\n<p><strong>La f\u00e1bula de la tortuga y la flor<\/strong><br \/>\n<strong><em>The Fable of the Turtle and the Flower<\/em><\/strong><br \/>\nFaced with the death of my best friend, the trivialities of daily life become transcendent, and love reveals itself as the only thing that can save us.<\/p>\n<p>Director: Carolina Campo Lupo<br \/>\nProduction: Valentina Baracco Pena and Carolina Campo Lupo<br \/>\nFormat: Feature Film<br \/>\nCountry: Uruguay<\/p>\n<p><strong>La Sed del Viento<\/strong><br \/>\n<strong><em>The Winds\u2019 Thirst<\/em><\/strong><br \/>\nThis documentary tells the story of Wayuu leaders Jazmine, Tita, and Misael fighting against a hidden genocide driven by mining, wind energy, and violence.<\/p>\n<p>Director: Alejandro Valbuena<br \/>\nProduction: Vanessa C\u00e1ceres<br \/>\nFormat: Feature Film<br \/>\nCountries: Colombia and Canada<\/p>\n<p><strong>Mama<\/strong><br \/>\n<strong><em>Mama<\/em><\/strong><br \/>\nAt 37, Ana faces advanced cancer and finds refuge in her camera, reflecting on a healing process that goes beyond the body.<\/p>\n<p>Director: Ana Cristina Ben\u00edtez Guerra<br \/>\nProduction: Bernarda Cornejo Pinto<br \/>\nFormat: Feature Film<br \/>\nCountry: Ecuador<\/p>\n<p><strong>Mapa M\u00e1gico de Chile<\/strong><br \/>\n<strong><em>Magic Map of Chile<\/em><\/strong><br \/>\nMagic Map of Chile\u00a0follows magician Jean Paul Olhaberry on a journey through enigmatic places in Chile, blending magic, spirituality, and nature.<\/p>\n<p>Director: Gonzalo Vergara<br \/>\nProduction: Rafaella Tonini<br \/>\nFormat: Series<br \/>\nCountry: Chile<\/p>\n<p><strong>Nieta de mi Abuela<\/strong><br \/>\n<strong><em>I Am My Grandma\u2019s Granddaughter<\/em><\/strong><br \/>\nQuestioning what it means to \u00abbe left alone\u00bb, a 40-year-old single filmmaker explores her grandmother&#8217;s life, who defied societal norms.<\/p>\n<p>Director: Tatiana Fern\u00e1ndez Geara<br \/>\nProduction: Wendy P. Espinal, and Tatiana Fern\u00e1ndez Geara<br \/>\nFormat: Feature Film<br \/>\nCountry: Dominican Republic<\/p>\n<p><strong>No money, no honey<\/strong><br \/>\n<strong><em>No Money, No Honey<\/em><\/strong><br \/>\nIn the &#8217;90s, an Argentine drag queen arrived in the United States to succeed. Years later,alcoholized and sad, she decides to go out in search of her friends.<\/p>\n<p>Director: Nicole Costa<br \/>\nProduction: Daniela Camino<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n<p><strong>Vuelvo donde nunca estuve<\/strong><br \/>\n<strong>Returning Where I Have Never Been<\/strong><br \/>\nA young Selk&#8217;nam woman returns to her territory a century after her great-grandfather&#8217;s abduction to prove that her people are not extinct.<\/p>\n<p>Directors: Constanza V\u00e1squez Palau and Andr\u00e9s Morales Zambra<br \/>\nProduction: Alejandra Rosas Castillo and Magdalena Ponce Valenzuela<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Connect with Distribution\u00a0is aimed at feature-length documentary projects or non-fiction series in editing, post-production, or completed but not yet premiered. Out of a total of 68 applications from 12 countries, 14 projects from 7 Latin American countries were selected: Mexico, Ecuador, Chile, Colombia, Peru, Uruguay, the Dominican Republic, and Argentina. Participation can be virtual or [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9307","post","type-post","status-publish","format-standard","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/comments?post=9307"}],"version-history":[{"count":2,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9307\/revisions"}],"predecessor-version":[{"id":9310,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9307\/revisions\/9310"}],"wp:attachment":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/media?parent=9307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/categories?post=9307"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/tags?post=9307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}