{"id":9311,"date":"2024-11-25T10:07:20","date_gmt":"2024-11-25T13:07:20","guid":{"rendered":"https:\/\/chileconecta.cl\/en\/?p=9311"},"modified":"2024-11-25T10:07:20","modified_gmt":"2024-11-25T13:07:20","slug":"meet-the-15-latin-american-projects-participating-in-conectados-2024","status":"publish","type":"post","link":"https:\/\/chileconecta.cl\/en\/noticias\/meet-the-15-latin-american-projects-participating-in-conectados-2024\/","title":{"rendered":"Meet the 15 Latin American projects participating in Conectados 2024!"},"content":{"rendered":"<p>Aimed at documentary feature films and non-fiction series in development, this year <strong>Connected<\/strong> received <strong>130 submissions<\/strong> from <strong>14 countries<\/strong>. Of these, <strong>15 projects were selected<\/strong>, representing <strong>8 Latin American countries:<\/strong> Mexico, Costa Rica, Chile, Uruguay, Brazil, Argentina, Colombia, and Panama. The selected participants will have the opportunity to take part in one-on-one meetings with industry representatives invited to <strong>Conecta<\/strong>, as well as join talks, panels, and co-production meetings.<\/p>\n<p>Connected is one of several initiatives <strong>aimed at strengthening networking, training, and internationalization,<\/strong> promoted within the framework of the <strong>9\u00b0 Meeting of the International Documentary Film Industry.<\/strong> The general call for the different workshops and dynamics received <strong>332 applications<\/strong> from <strong>18 Latin American countries<\/strong>. In addition to the participation of invited guests, Conecta 2024 brings together industry representatives from 27 countries around the world.<\/p>\n<p>\ud83c\udfac <strong><ins datetime=\"2024-11-25T12:43:22+00:00\">The selected projects are:<\/ins><\/strong><\/p>\n<p><strong>A\u00fan escucho tus tacones de gliter rojo<\/strong><br \/>\n<strong><em>I can still hear your red glitter heels<\/em><\/strong><br \/>\nA journey through the memories of four trans women who navigate repression in the 80s in Mexico, through HIV, but also through resilience.<\/p>\n<p>Director: Carlos Morales<br \/>\nProduction: Mariana Castro<br \/>\nFormat: Feature Film<br \/>\nCountry: Mexico<\/p>\n<p><strong>Canales australes<\/strong><br \/>\n<strong><em>Southern Channels<\/em><\/strong><br \/>\nA radio frequency created by children crosses the southern landscape with one goal: to establish communication with Antarctica.<\/p>\n<p>Director: Pilar Higuera Valencia<br \/>\nProduction: Juan Francisco Gonz\u00e1lez<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n<p><strong>Como llama encendida en noche obscura<\/strong><br \/>\n<strong><em>Like a Flame Lit on a Dark Night<\/em><\/strong><br \/>\nThe memories collected about my grandfather, a revolutionary doctor and poet, shape a figure in the mist\u2014both bright and dark.<\/p>\n<p>Director: Carolina Arias Ortiz<br \/>\nProduction: Michele Ferris<br \/>\nFormat: Feature Film<br \/>\nCountry: Costa Rica<\/p>\n<p><strong>Detr\u00e1s de la taza<\/strong><br \/>\n<strong><em>Beyond the Cup<\/em><\/strong><br \/>\nA series that explores the predatory coffee industry while showcasing alternatives committed to the well-being of communities and ecosystems.<\/p>\n<p>Director: Alex Noppel Brise\u00f1o<br \/>\nProduction: Gibran Cervantes Covarrubias<br \/>\nFormat: Series<br \/>\nCountries: Mexico, Colombia, Brazil, Vietnam, Ethiopia, and Indonesia<\/p>\n<p><strong>\u00c9 S\u00f3 Amor<\/strong><br \/>\n<strong><em>Just in Love \/ Amor y Punto<\/em><\/strong><br \/>\nThe story of forbidden love between Father Moura and the devout Sebastiana.<\/p>\n<p>Director: Marcelo D\u00edaz<br \/>\nProduction: Marcelo D\u00edaz and Mariana Alves<br \/>\nFormat: Feature Film<br \/>\nCountry: Brazil<\/p>\n<p><strong>Ekekas<\/strong><br \/>\n<strong><em>Ekekas, Single Mothers and Their Burdens<\/em><\/strong><br \/>\nFaced with a path of adversity and the darkest aspects of economic violence, single mothers take on the challenge of building a possible future.<\/p>\n<p>Director: Deborah Valado<br \/>\nProduction: Mara Avila<br \/>\nFormat: Feature Film<br \/>\nCountry: Argentina<\/p>\n<p><strong>El prontuario de Madame Wittmann<\/strong><br \/>\n<strong><em>The Criminal Record of Madame Wittmann<\/em><\/strong><br \/>\nThe return of transsexual vedette Evelyn Wittmann to Chile intertwines with the search for the lost 1969 documentary\u00a0Prontuario.<\/p>\n<p>Directors: Nicolas Videla and Anastasia Benavente<br \/>\nProduction: Kevin Magne, Nicolas Videla, and Evelyn Wittmann<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n<p><strong>Just \u2018Cuz<\/strong><br \/>\n<strong><em>Just \u2018Cuz<\/em><\/strong><br \/>\nWhat do American military \u201chome videos\u201d from the 1989 invasion of Panama reveal about humanity\u2019s past, present, and future?<\/p>\n<p>Director: Enrique Castro R\u00edos<br \/>\nProduction: Enrique Castro R\u00edos<br \/>\nFormat: Feature Film<br \/>\nCountry: Panama<\/p>\n<p><strong>La Conferencia<\/strong><br \/>\n<strong><em>The Conference<\/em><\/strong><br \/>\nThe Conference is a documentary that reflects on the first communication montage of the Chilean military dictatorship and its current consequences.<\/p>\n<p>Director: Rodrigo Mar\u00edn<br \/>\nProduction: Valentina Roblero<br \/>\nFormat: Feature Film<br \/>\nCountry: Chile<\/p>\n<p><strong>Liliana y los lobos<\/strong><br \/>\n<strong><em>Liliana and the Wolves<\/em><\/strong><br \/>\nLiliana (92) and Carolina (42) explore their memories of World War II and migration, seeking to heal wounds that persist to this day.<\/p>\n<p>Director: Carolina Campo Lupo<br \/>\nProduction: Carolina Campo Lupo and Juan Ignacio Fern\u00e1ndez<br \/>\nFormat: Feature Film<br \/>\nCountry: Uruguay<\/p>\n<p><strong>Los Datos del Capit\u00e1n<\/strong><br \/>\n<strong><em>The Data of the Captain<\/em><\/strong><br \/>\nMarine researchers pursue trawler captains\u2019 records to uncover the stories of shipwrecks in the deep ocean.<\/p>\n<p>Director: Carlos Cort\u00e9s<br \/>\nProduction: Paula Needham<br \/>\nFormat: Series<br \/>\nCountry: Chile<\/p>\n<p><strong>Los Puesteros<\/strong><br \/>\n<strong><em>Outpost Men<\/em><\/strong><br \/>\nAcross Chilean Patagonia, gauchos live isolated in rural outposts, confronting the extinction of their way of life due to modernization.<\/p>\n<p>Director: Mat\u00edas Bolla<br \/>\nProduction: Carolina Sorensen and Cristian Valle Celed\u00f3n<br \/>\nFormat: Feature Film<br \/>\nCountries: Chile and Australia<\/p>\n<p><strong>Nem aqui, nem l\u00e1<\/strong><br \/>\n<strong><em>Neither Here, Nor There<\/em><\/strong><br \/>\nA portrait of a woman who rebuilt her life in the space between England and Brazil.<\/p>\n<p>Director: Julia Lea de Toledo<br \/>\nProduction: Julia Lea de Toledo<br \/>\nFormat: Feature Film<br \/>\nCountry: Brazil<\/p>\n<p><strong>Profesi\u00f3n: Fot\u00f3grafa<\/strong><br \/>\n<strong><em>Her Profession: Photographer<\/em><\/strong><br \/>\nAn intimate portrait of recent history through the work of 12 women photographers from around the world.<\/p>\n<p>Director: Sergio Nawuel Bravo<br \/>\nProduction: Daniela Fuentes Posada<br \/>\nFormat: Series<br \/>\nCountry: Chile<\/p>\n<p><strong>Todo por una Jirafa<\/strong><br \/>\n<strong><em>Giraffe Dream<\/em><\/strong><br \/>\nA mayor\u2019s obsession with a giraffe prompts an entire town to reflect on the meaning of dreams, loneliness, and life itself.<\/p>\n<p>Directors: Sarahi Echeverr\u00eda and Felipe Carmona<br \/>\nProduction: Mar\u00eda Paz Eberhard and Sarahi Echeverr\u00eda<br \/>\nFormat: Feature Film<br \/>\nCountries: Ecuador and Chile<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aimed at documentary feature films and non-fiction series in development, this year Connected received 130 submissions from 14 countries. Of these, 15 projects were selected, representing 8 Latin American countries: Mexico, Costa Rica, Chile, Uruguay, Brazil, Argentina, Colombia, and Panama. The selected participants will have the opportunity to take part in one-on-one meetings with industry [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9311","post","type-post","status-publish","format-standard","hentry","category-noticias"],"acf":[],"_links":{"self":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/comments?post=9311"}],"version-history":[{"count":1,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9311\/revisions"}],"predecessor-version":[{"id":9313,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/posts\/9311\/revisions\/9313"}],"wp:attachment":[{"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/media?parent=9311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/categories?post=9311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/chileconecta.cl\/en\/wp-json\/wp\/v2\/tags?post=9311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}